Alexander Scriabin wrote Vers La Flamme in 1914, as an ode to the ecstasy that was supposed to become his eleventh piano sonata but was published as a separate character piece due to financial difficulties. The iconic pianist Vladimir Horowitz believes the piece was written after a psychotic episode in which Scriabin saw the impending end times: the title refers both to the Earth’s fiery demise and the unstoppable, primal, spiritual power of the composition. The composer Brecht Valckenaers composes and performs a response that reverses the movement: not from darkness to ecstasy but from ecstasy to rest. In his version, Scriabin’s scorching flames are transformed into a warm afterglow.
Brecht Valckenaers - piano en composition
Predikherenkerk
Goswin de Stassartstraat 88, 2800 Mechelen
Predikherenkerk
14:30 > 15:00 & 16:30 > 17:00